'LF' IS FOR LARGE FORMAT

For the Fly Through Films team, the concept of the LF DRONE has been a technical dream for many years. Now with the evolution of Lipo batteries, brushless motors and Gimbal technology we are able to lift and fly a new range of Large Format Digital Cinema Cameras and Lenses.

 

The Alexa LF Camera:

Featuring a sensor slightly larger than full frame, ALEXA LF records native 4.5K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements.

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ALEXA LF has the largest sensor of any full-frame cinema camera on the market. Maintaining the ALEXA family’s optimal pixel size for best overall image quality results in a 4448 x 3096 picture, which can be recorded in full, up to 90 fps, using the LF Open Gate mode. An LF 16:9 mode maximizes lens options while meeting 4K deliverable standards, and an LF 2.39:1 mode combines a cinematic widescreen image with high frame rates up to 150 fps for sensuous slow motion.

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The LF DRONE is a truly versatile drone, it can fly a number of cameras, including:

• Alexa XT

• Alexa Mini

• Red Monstro/Helium

• Sony Venice

• Arri 235 (35mm)

• Arri 435 (35mm)

• Arri 416 (16mm)

• Panavision DXL

• Panasonic Varicam

• Phantom Flex 4K

• Phanton Veo

• Phantom V Series

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The  LF DRONE can fly the below lenses:

• ARRI Master Primes

• HAWK Anamorphics (V-Lite & V-Plus)

• VANTAGE ONE T1's

• ARRI Signature Primes

• COOK Anamorphics

• COOK S4's

• HAWK Mini's

• ARRI Ultra Primes

• ZEISS Super Speeds

• PANAVISION Primo's

• CANON K-35's

• PANAVISON Anamorphics

• OPTIMO Anamorphic Zoom lens

• OPTIMO Spherical Zoom lens

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